I really grew to hate the latter, whereas Masterson manages to turn a potentially grating character into someone sympathetic and likable. Masterson’s Watts is infinitely more likable than the annoying Jon Cryer’s Duckie. That level of quality extends to the others as well.
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He brings out an innocent, genuine quality to Keith that endears him to the audience. Stoltz really does a nice job in the part. We believe him as something of an outcast, but Keith’s not a freak. The script doesn’t give Stoltz a lot to work with, but he manages to turn Keith into a charming, satisfying personality. In particular, Stoltz offers a radically stronger performance than Molly Ringwald in Pink. Some of the greater appeal stems from the characters and the actors, as both are superior in Wonderful. It’s a load of tripe in either direction, but Wonderful makes the message go down much more smoothly than the dopey Pink. Stay true to yourself, do what you believe, and you’ll end up with the hottest girl in town. Whereas Pink was a fantasy for all the quirky girls, Wonderful acts as hope for the oddball boys. My biggest gripe about Wonderful comes from the fact it’s a thinly-veiled remake of 1986’s Pretty in Pink.
#Some kind of wonderful dvd movie
The rest of the movie follows their relationship and its effect on others. Eventually she dumps Harvey to protest against his scummy ways and agrees to go out with Keith. When he ogles her, Keith incurs the wrath of Amanda’s snotty boyfriend Hardy Jenns (Craig Sheffer), but this doesn’t prevent him from pursuing her. However, Keith pines for sexy Amanda Jones (Lea Thompson), though she seems to be out of his league since she mostly associates with the rich kids. Keith hangs out with tomboyish classmate Watts (Mary Stuart Masterson), and she clearly crushes on him. His dad Cliff (John Ashton) pushes him to become the first member of the family to go to college, but he seems to lack ambition – at least to pursue what his father wants. Artistically talented high school senior Keith Nelson (Eric Stoltz) comes from a blue-collar background. Hughes didn’t stretch outside of safe territory in Wonderful. This led to some successes like 1987’s Planes, Trains and Automobiles along with duds like 1988’s She’s Having a Baby. After making a name for himself with hits like Sixteen Candles, The Breakfast Club and Ferris Bueller’s Day Off, filmmaker John Hughes left behind the world of teenage concerns and concentrated on more adult subjects. Reviewed by Colin Jacobson (August 21, 2006)ġ987’s Some Kind of Wonderful marked the end of a cinematic era. Sony 36" WEGA KV-36FS12 Monitor Sony DA333ES Processor/Receiver Panasonic CV-50 DVD Player using component outputs Michael Green Revolution Cinema 6i Speakers (all five) Sony SA-WM40 Subwoofer.
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“The Making of Some Kind of Wonderful” Featurette.Audio Commentary with Director Howard Deutch and Actor Lea Thompson.Some fun, some heartache, Some Kind of Wonderful! Now Hughes delivers another funny, savvy, crowd pleasing look at adolescence in this story about a high school misfit (Eric Stoltz), who falls so head over heels for the senior class siren that he's blind to the charms of his beautiful and devoted best pal (Mary Stuart-Masterson). Think everyone over 17 has forgotten what it's like to be 16? Filmmaker John Hughes hasn't. Review Archive: # | A-C | D-F | G-I | J-L | M-O | P-R | S-U | V-Z | Viewer Ratings | MainĮric Stoltz, Mary Stuart Masterson, Lea Thompson, Craig Sheffer, John Ashton, Elias Koteas, Molly Hagan, Maddie Corman, Jane Elliotīefore they could stand together, they had to stand alone.
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Some Kind Of Wonderful: Special Collector's Edition (1987)